Spring 1998 - Future History 2.7


	Spring 1998 Future History 2.7

< Previous ~ Next >

Spring 2013 Winter 2012 Autumn 2012 Spring 2012 Winter 2011 Autumn 2011 Spring 2011 Winter 2010 Autumn 2010 Spring 2010 Winter 2009 Autumn 2009 Spring 2009 Winter 2008 Autumn 2008 Spring 2008 Winter 2007 Autumn 2007 Spring 2007 Winter 2006 Autumn 2006 Spring 2006 Winter 2005 Autumn 2005 Spring 2005 Winter 2004 Autumn 2004 Spring 2004 Winter 2003 Autumn 2003 Spring 2003 Winter 2002 Autumn 2002 Spring 2002 Winter 2001 Autumn 2001 Spring 2001 Winter 2000 Autumn 2000 Spring 2000 Winter 1999 Autumn 1999 Spring 1999 Winter 1998 Autumn 1998 Spring 1998

Journal Cover Dear Reader,

We live in a time of vast musical findings, and the “vibratory fingerprints” of history are becoming known. A new application and synthesis of music is taking place by scientists and musicologists in their study of the distribution and amplitude of musical tones. Recordings in the rooms and chambers of the monuments of ancient civilizations are giving us new revelations.

Is there an acoustical solution to the riddle of the pyramids? Our observations showed that the physiological acoustics of the ear were merely a secondary phenomena within the great architectural plan of the pyramid, and that the highest and deepest harmonics could only be charted through a greater internal sensitivity and an understanding of overtone harmonics. Since the seventeenth century physicists and music theorists have written about the existence of the overtone series that attract the sensitive musical ear to the geometry of sound. But even before that music theorists, as early as Pythagoras and as late as Descartes, understood overtones in terms of tones produced by successive divisions of a string into equal parts.

Today some music theorists are again asserting the relevancy of overtones to music. The six-pointed fractals in England and their cymatic counterparts in the studies of Hans Jenny contain Euclid’s theorem and show the design of an immense complexity built into nature, as well as the by-products of the harmonic laws of sound frequency.

The ancient temples, including the Temple of Solomon and the Great Pyramid as well as those from Mexico to Brazil, were more than merely a mixture of unique stone walls; these are forms created to resonate with our very being. Nevertheless, it was our amazing discovery to find that some of the special stones used in the Great Pyramid, for example, function as precise resonators! A person orchestrating strong pulses from the upper cavities in the interior of the pyramid can create huge gong-like sounds that resonate throughout the upper and lower chambers. When one simply sits in the sacred rooms and taps the wall or vocalizes hieroglyphs, a clear and sustained sound is produced.

The Psalmist tells us to rejoice (Psalm 150) and to laud the Divine with tambourine and horn. Let us understand the insights of vibration in what Christ taught us as our privilege of hearing the vibrations of “rocks that will sing.” Let us realize we live at a time when we are gaining the knowledge of the music of the spheres, which will allow us to move materials of finite size and dimensionality through one of the portals opening into the Father’s House of Many Mansions!

— J.J. Hurtak, Ph.D., Ph.D.

We appreciate your interest. The Academy is a nonprofit organization. Please consider making a donation through our secure web server or by postal mail. We are always happy to receive extra contributions because they help us maintain our work around the globe. Your support is absolutely necessary to continue to make this possible.

You can always help — you can always pray.

1-877-872-KEYS (5397), Monday-Friday, 10:00 AM – 4:00 PM CST
E-mail

Site Last updated April 09, 2013